Annoyed by the unflattering representation of himself, the artist severed ties with Zola. Many took notice of the fact that Lantier shared a number of traits with Cézanne, including a preference for painting outdoors. Not too long after, he lost a good friend in 1886, when Zola published his novel The Masterpiece (L’Oeuvre), which focuses on a struggling, largely unsuccessful artist named Claude Lantier. ![]() Throughout the decade, the artist continued rendering portraits, still lifes, scenes of bathers, and images based on classical mythology, with the ancient Greek tale of Leda and the Swan acting as one of his recurring subjects. One such work, L’Estaque with Red Roofs (1885), shows the vividly blue ocean beyond the clusters of sun dappled buildings in the coastal town. He painted some of his most famous sea views in the port town of L’Estaque, in the south of France, near Marseille. Wikimedia CommonsĬézanne’s friendships disintegrate in the following decade.Ĭézanne ceased working with Pissarro after 1882 and went on to spend much of his time outside of Paris. ![]() Paul Cézanne, L’Estaque with Red Roofs, 1885, oil on canvas. In this work, as well as many others from the era, Cézanne emphasized shading, leaving certain areas of canvas exposed where light bounced off a curtain or a jug-a daring gesture at the time. One of his works from this time, titled Still Life Post, Bottle, Cup and Fruit (1871), is reflective of Cézanne’s most recognizable paintings of elegantly arranged, plump apples. In this period, Cézanne also nurtured his interest in still life painting. There, Cézanne’s work took on a more Impressionistic style, and the contemplative works he completed in Auvers would be shown at Impressionist exhibitions in Paris in 18. In 1872, the same year Cézanne’s son, Paul, was born, he moved to Auvers-sur-Oise, where van Gogh would famously lived and work in the months leading up to his death in 1890. Pissarro had a major impact on Cézanne’s oeuvre, introducing the artist to plein air painting techniques and shifting his focus to more vibrantly colored rural landscape scenes in the early 1870s. Pissarro helped Cézanne usher in a new phase of his practice in the early 1870s. Paul Cézanne, Still Life Post, Bottle, Cup and Fruit, ca. ![]() Cézanne was also deeply impacted by the Old Masters paintings he encountered at the Louvre, as well as works by Eugène Delacroix and Gustave Courbet. ![]() The following year, Cézanne moved to the French capital to study at the Académie Suisse, where he would meet the painter Camille Pissarro, who influenced Cézanne’s practice, style, and techniques. He did a two-year stint at law school that ended in 1861, at which time he began visiting Zola in Paris and immersing himself in the city’s art world. Starting in 1857, the artist took classes at a drawing school attached to the Musée d’Aix (now known as the Musée Granet), and one of his childhood friends was the writer Émile Zola. His father wanted him to pursue a career as a lawyer, but Cézanne had cultivated creative ambitions early on in his youth. Tate Modern Preps Major Cézanne Show, Photographer Marcus Leatherdale Dies at 69, and More: Morning Links for May 6, 2022Ĭézanne’s father had hoped his son would become a lawyer, not an artist.īorn in Aix-en-Provence in 1839, Paul Cézanne was the first child of Louis-Auguste Cézanne, a successful banker.
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